{"id":97,"date":"2025-06-16T17:46:13","date_gmt":"2025-06-16T21:46:13","guid":{"rendered":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/?post_type=back-matter&p=97"},"modified":"2025-10-24T16:00:07","modified_gmt":"2025-10-24T20:00:07","slug":"appendix-c-figure-descriptions","status":"publish","type":"back-matter","link":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/","title":{"raw":"Appendix C: Figure Descriptions","rendered":"Appendix C: Figure Descriptions"},"content":{"raw":"<\/a>F<\/strong>igure 3.1 image description<\/strong>: Illustrates the C major scale on a piano keyboard and its corresponding notation on a musical staff. The highlighted keys on the piano keyboard show the notes C, D, E, F, G, A, B, and C. Below the keyboard, the notes are written on a musical staff starting from the C below the staff and ascending. [Return to Figure 3.1<\/a>]\r\n\r\n<\/a>F<\/strong>igure 4.1 image description<\/strong>: Illustrates the C minor scale on a piano keyboard and its corresponding notation on a musical staff. The highlighted keys on the piano keyboard show the notes C, D, E\u266d, F, G, A\u266d, B\u266d, and C. Below the keyboard, the notes are written on a musical staff starting from middle C and ascending. Its key signature consists of three flats. [Return to Figure 4.1<\/a>]\r\n\r\n<\/a>Figure 5.1 image description<\/strong>: Image of a staff displaying the C natural minor scale, starting from middle C and ascending. There is a flat symbol beside the third note E, sixth note A, and seventh note B. [Return to Figure 5.1<\/a>]\r\n\r\n<\/a>Figure 5.2 image description<\/strong>: Image of a staff displaying the C harmonic minor scale, starting from middle C and ascending. There is a flat symbol beside the third note E and sixth note A. [Return to Figure 5.2<\/a>]\r\n\r\n<\/a>Figure 5.3 image description<\/strong>: Image of a staff displaying the C jazz minor scale, starting from middle C and ascending. There is a flat symbol beside the third note E. [Return to Figure 5.3<\/a>]\r\n\r\n<\/a>Figure 7.1 image description<\/strong>: Image of a staff displaying diatonic intervals. [Return to Figure 7.1<\/a>]\r\n\r\n<\/a>Figure 8.1 image description<\/strong>: Image of a staff displaying minor intervals. [Return to Figure 8.1<\/a>]\r\n\r\n<\/a>Figure 10.1 image description<\/strong>: Image of a staff with a C major triad displayed melodically. [Return to Figure 10.1<\/a>]\r\n\r\n<\/a>Figure 10.2 image description<\/strong>: Image of a staff with a C major triad displayed harmonically. Whole notes are placed on a leger line below the staff, the first and second line (C,E,G). The triads are stacked root, 3rd, then 5th. [Return to Figure 10.2<\/a>]\r\n\r\n<\/a>Figure 10.3 image description<\/strong>: Image of a staff with a C minor triad displayed melodically. [Return to Figure 10.3<\/a>]\r\n\r\n<\/a>Figure 10.4 image description<\/strong>: Image of a staff with a C minor triad displayed harmonically. [Return to Figure 10.4<\/a>]\r\n\r\n<\/a>Figure 11.1 image description<\/strong>: Image of a staff with a C augmented triad displayed harmonically. [Return to Figure 11.1<\/a>]\r\n\r\n<\/a>Figure 11.2 image description<\/strong>: Image of a staff with a C augmented triad displayed melodically. [Return to Figure 11.2<\/a>]\r\n\r\n<\/a>Figure 11.3 image description<\/strong>: Image of a staff with a C diminished triad displayed harmonically. [Return to Figure 11.3<\/a>]\r\n\r\n<\/a>Figure 11.4 image description<\/strong>: Image of a staff with a C diminished triad displayed melodically. [Return to Figure 11.4<\/a>]\r\n\r\n<\/a>Figure 13.1 image description<\/strong>: Image of a staff with a whole note, which can be identified by the lack of stem or colouring in the centre of the note itself. [Return to Figure 13.1<\/a>]\r\n\r\n<\/a>Figure 13.2 image description<\/strong>: Image of a half note, which differs in appearance from whole notes in that they have a stem but are still empty in the centre of the note itself. [Return to Figure 13.2<\/a>]\r\n\r\n<\/a>Figure 13.3 image description<\/strong>: Image of a quarter note, which has a stem but is fully coloured in. [Return to Figure 13.3<\/a>]\r\n\r\n<\/a>Figure 13.4 image description<\/strong>: Image of an eighth note. It has a stem and is coloured in, but has a flag when not paired with another eighth (or smaller) note. [Return to Figure 13.4<\/a>]\r\n\r\n<\/a>Figure 14.1 image description<\/strong>: The image of a staff with a 4\/4 time signature and a whole note. [Return to Figure 14.1<\/a>]\r\n\r\n<\/a>Figure 14.2 image description<\/strong>: The image of a staff with a 4\/4 time signature and two half notes. [Return to Figure 14.2<\/a>]\r\n\r\n<\/a>Figure 14.3 image description<\/strong>: The image of a staff with a 4\/4 time signature and four quarter notes.\u00a0[Return to Figure 14.3<\/a>]\r\n\r\n<\/a>Figure 14.4 image description<\/strong>: The image of a staff with a 4\/4 time signature and eight eighth notes. [Return to Figure 14.4<\/a>]\r\n\r\n<\/a>Figure 15.1 image description<\/strong>: The image of a staff with a 4\/4 time signature and one half note, two quarter notes.\u00a0[Return to Figure 15.1<\/a>]\r\n\r\n<\/a>Figure 15.2 image description<\/strong>: The image of a staff with a 4\/4 time signature and one quarter note, four eighth notes, one quarter note. [Return to Figure 15.2<\/a>]\r\n\r\n<\/a>Figure 15.3 image description<\/strong>: The image of a staff with a 4\/4 time signature and four eighth notes, two quarter notes. [Return to Figure 15.3<\/a>]\r\n\r\n<\/a>Figure 15.4 image description<\/strong>: The image of a staff with a 4\/4 time signature and a half note, two eighth notes, one quarter note. [Return to Figure 15.4<\/a>]\r\n\r\n<\/a>Figure 15.5 image description<\/strong>: The image of a staff with a 4\/4 time signature and a quarter note, two eighth notes, a quarter note, two eighth notes. [Return to Figure 15.5<\/a>]\r\n\r\n<\/a>Figure 15.6 image description<\/strong>: The image of a staff with a 4\/4 time signature and three quarter notes, two eighth notes. [Return to Figure 15.6<\/a>]\r\n\r\n<\/a>Figure 15.7 image description<\/strong>: The image of a staff with a 4\/4 time signature and a quarter note, half note, quarter note.\u00a0[Return to Figure 15.7<\/a>]","rendered":"

<\/a>F<\/strong>igure 3.1 image description<\/strong>: Illustrates the C major scale on a piano keyboard and its corresponding notation on a musical staff. The highlighted keys on the piano keyboard show the notes C, D, E, F, G, A, B, and C. Below the keyboard, the notes are written on a musical staff starting from the C below the staff and ascending. [Return to Figure 3.1<\/a>]<\/p>\n

<\/a>F<\/strong>igure 4.1 image description<\/strong>: Illustrates the C minor scale on a piano keyboard and its corresponding notation on a musical staff. The highlighted keys on the piano keyboard show the notes C, D, E\u266d, F, G, A\u266d, B\u266d, and C. Below the keyboard, the notes are written on a musical staff starting from middle C and ascending. Its key signature consists of three flats. [Return to Figure 4.1<\/a>]<\/p>\n

<\/a>Figure 5.1 image description<\/strong>: Image of a staff displaying the C natural minor scale, starting from middle C and ascending. There is a flat symbol beside the third note E, sixth note A, and seventh note B. [Return to Figure 5.1<\/a>]<\/p>\n

<\/a>Figure 5.2 image description<\/strong>: Image of a staff displaying the C harmonic minor scale, starting from middle C and ascending. There is a flat symbol beside the third note E and sixth note A. [Return to Figure 5.2<\/a>]<\/p>\n

<\/a>Figure 5.3 image description<\/strong>: Image of a staff displaying the C jazz minor scale, starting from middle C and ascending. There is a flat symbol beside the third note E. [Return to Figure 5.3<\/a>]<\/p>\n

<\/a>Figure 7.1 image description<\/strong>: Image of a staff displaying diatonic intervals. [Return to Figure 7.1<\/a>]<\/p>\n

<\/a>Figure 8.1 image description<\/strong>: Image of a staff displaying minor intervals. [Return to Figure 8.1<\/a>]<\/p>\n

<\/a>Figure 10.1 image description<\/strong>: Image of a staff with a C major triad displayed melodically. [Return to Figure 10.1<\/a>]<\/p>\n

<\/a>Figure 10.2 image description<\/strong>: Image of a staff with a C major triad displayed harmonically. Whole notes are placed on a leger line below the staff, the first and second line (C,E,G). The triads are stacked root, 3rd, then 5th. [Return to Figure 10.2<\/a>]<\/p>\n

<\/a>Figure 10.3 image description<\/strong>: Image of a staff with a C minor triad displayed melodically. [Return to Figure 10.3<\/a>]<\/p>\n

<\/a>Figure 10.4 image description<\/strong>: Image of a staff with a C minor triad displayed harmonically. [Return to Figure 10.4<\/a>]<\/p>\n

<\/a>Figure 11.1 image description<\/strong>: Image of a staff with a C augmented triad displayed harmonically. [Return to Figure 11.1<\/a>]<\/p>\n

<\/a>Figure 11.2 image description<\/strong>: Image of a staff with a C augmented triad displayed melodically. [Return to Figure 11.2<\/a>]<\/p>\n

<\/a>Figure 11.3 image description<\/strong>: Image of a staff with a C diminished triad displayed harmonically. [Return to Figure 11.3<\/a>]<\/p>\n

<\/a>Figure 11.4 image description<\/strong>: Image of a staff with a C diminished triad displayed melodically. [Return to Figure 11.4<\/a>]<\/p>\n

<\/a>Figure 13.1 image description<\/strong>: Image of a staff with a whole note, which can be identified by the lack of stem or colouring in the centre of the note itself. [Return to Figure 13.1<\/a>]<\/p>\n

<\/a>Figure 13.2 image description<\/strong>: Image of a half note, which differs in appearance from whole notes in that they have a stem but are still empty in the centre of the note itself. [Return to Figure 13.2<\/a>]<\/p>\n

<\/a>Figure 13.3 image description<\/strong>: Image of a quarter note, which has a stem but is fully coloured in. [Return to Figure 13.3<\/a>]<\/p>\n

<\/a>Figure 13.4 image description<\/strong>: Image of an eighth note. It has a stem and is coloured in, but has a flag when not paired with another eighth (or smaller) note. [Return to Figure 13.4<\/a>]<\/p>\n

<\/a>Figure 14.1 image description<\/strong>: The image of a staff with a 4\/4 time signature and a whole note. [Return to Figure 14.1<\/a>]<\/p>\n

<\/a>Figure 14.2 image description<\/strong>: The image of a staff with a 4\/4 time signature and two half notes. [Return to Figure 14.2<\/a>]<\/p>\n

<\/a>Figure 14.3 image description<\/strong>: The image of a staff with a 4\/4 time signature and four quarter notes.\u00a0[Return to Figure 14.3<\/a>]<\/p>\n

<\/a>Figure 14.4 image description<\/strong>: The image of a staff with a 4\/4 time signature and eight eighth notes. [Return to Figure 14.4<\/a>]<\/p>\n

<\/a>Figure 15.1 image description<\/strong>: The image of a staff with a 4\/4 time signature and one half note, two quarter notes.\u00a0[Return to Figure 15.1<\/a>]<\/p>\n

<\/a>Figure 15.2 image description<\/strong>: The image of a staff with a 4\/4 time signature and one quarter note, four eighth notes, one quarter note. [Return to Figure 15.2<\/a>]<\/p>\n

<\/a>Figure 15.3 image description<\/strong>: The image of a staff with a 4\/4 time signature and four eighth notes, two quarter notes. [Return to Figure 15.3<\/a>]<\/p>\n

<\/a>Figure 15.4 image description<\/strong>: The image of a staff with a 4\/4 time signature and a half note, two eighth notes, one quarter note. [Return to Figure 15.4<\/a>]<\/p>\n

<\/a>Figure 15.5 image description<\/strong>: The image of a staff with a 4\/4 time signature and a quarter note, two eighth notes, a quarter note, two eighth notes. [Return to Figure 15.5<\/a>]<\/p>\n

<\/a>Figure 15.6 image description<\/strong>: The image of a staff with a 4\/4 time signature and three quarter notes, two eighth notes. [Return to Figure 15.6<\/a>]<\/p>\n

<\/a>Figure 15.7 image description<\/strong>: The image of a staff with a 4\/4 time signature and a quarter note, half note, quarter note.\u00a0[Return to Figure 15.7<\/a>]<\/p>\n","protected":false},"author":4,"menu_order":3,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"back-matter-type":[27],"contributor":[],"license":[],"class_list":["post-97","back-matter","type-back-matter","status-publish","hentry","back-matter-type-appendix"],"_links":{"self":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/back-matter\/97","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/back-matter"}],"about":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/types\/back-matter"}],"author":[{"embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/users\/4"}],"version-history":[{"count":24,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/back-matter\/97\/revisions"}],"predecessor-version":[{"id":1980,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/back-matter\/97\/revisions\/1980"}],"metadata":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/back-matter\/97\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/media?parent=97"}],"wp:term":[{"taxonomy":"back-matter-type","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/back-matter-type?post=97"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/contributor?post=97"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/license?post=97"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}