{"id":34,"date":"2025-06-16T13:57:16","date_gmt":"2025-06-16T17:57:16","guid":{"rendered":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/?post_type=chapter&#038;p=34"},"modified":"2025-10-22T14:23:06","modified_gmt":"2025-10-22T18:23:06","slug":"the-major-scale","status":"publish","type":"chapter","link":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/chapter\/the-major-scale\/","title":{"raw":"The Major Scale","rendered":"The Major Scale"},"content":{"raw":"The <em>major scale<\/em> is a series of notes that can be useful to understand while developing our ear training skills. <span style=\"color: #ff00ff;\"><span style=\"color: #000000;\">The major scale can be practiced by humming the pitches, singing using note names or a random vowel sound, or using numbers. (Read more about scales in <a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/key-signatures\/\">Chapter 8 of <\/a><em><a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/key-signatures\/\" target=\"_blank\" rel=\"noopener\">Introduction to Music Theory and<\/a><a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/key-signatures\/\" target=\"_blank\" rel=\"noopener\"> Rudiments<\/a>.)<a id=\"retfig3.1\"><\/a><\/em><\/span><\/span>\r\n\r\n[caption id=\"attachment_1549\" align=\"aligncenter\" width=\"1024\"]<img class=\"wp-image-1549 size-large\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMajor-1024x586.png\" alt=\"C major scale on a piano keyboard. Image description available.\" width=\"1024\" height=\"586\" \/> Figure 3.1 C major scale. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig3.1\">See Appendix C Figure 3.1<\/a>][\/caption]The example above shows C major scale.\u00a0<span style=\"color: #ff00ff;\"><span style=\"color: #000000;\">For ear training purposes, how it appears on the staff is less important than how it sounds.\u00a0<\/span><\/span>\r\n\r\nhttps:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Major-Scale-S1.wav\r\n\r\n<span style=\"color: #000000;\">Take the audio example, and listen to it carefully. How does it sound? What observations can be made as it moves from note to note? While humming or singing random vowel sounds can be useful, using a number system will allow for some added benefit in upcoming modules.<\/span>\r\n\r\n<span style=\"color: #000000;\">The number system is used by assigning the number 1 to the first note of the major scale (in this case, C) and number 2 to the following note (D), number 3 after that, and so on.<\/span> Once familiar enough with the sound of the major to hum or sing it without numbers, adding numbers can be a useful next step.\r\n\r\n<span style=\"color: #ff00ff;\"><span style=\"color: #000000;\">In <a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/key-signatures\/\">Chapter 8 of <\/a><em><a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/key-signatures\/\" target=\"_blank\" rel=\"noopener\">Introduction to Music Theory and Rudiments<\/a><\/em>, <span style=\"color: #ff00ff;\"><span style=\"color: #000000;\">the distance between each note is discussed. The distance between the third and fourth notes, and the seventh and eighth notes is smaller than the others. How does this sound? Does it impact your understanding of the scale in any way?<\/span><\/span><\/span><\/span>\r\n\r\nhttps:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Major-Scale-S1.wav\r\n\r\nListen to the audio example above, then use the Record button below to record yourself humming or singing the major scale. Do they sound the same? If not, where and how do they sound different? Once you\u2019ve discovered where they differ, try again and see if you can improve.\r\n\r\n&nbsp;\r\n\r\n[h5p id=\"10\"]","rendered":"<p>The <em>major scale<\/em> is a series of notes that can be useful to understand while developing our ear training skills. <span style=\"color: #ff00ff;\"><span style=\"color: #000000;\">The major scale can be practiced by humming the pitches, singing using note names or a random vowel sound, or using numbers. (Read more about scales in <a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/key-signatures\/\">Chapter 8 of <\/a><em><a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/key-signatures\/\" target=\"_blank\" rel=\"noopener\">Introduction to Music Theory and<\/a><a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/key-signatures\/\" target=\"_blank\" rel=\"noopener\"> Rudiments<\/a>.)<a id=\"retfig3.1\"><\/a><\/em><\/span><\/span><\/p>\n<figure id=\"attachment_1549\" aria-describedby=\"caption-attachment-1549\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1549 size-large\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMajor-1024x586.png\" alt=\"C major scale on a piano keyboard. Image description available.\" width=\"1024\" height=\"586\" srcset=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMajor-1024x586.png 1024w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMajor-300x172.png 300w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMajor-768x440.png 768w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMajor-65x37.png 65w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMajor-225x129.png 225w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMajor-350x200.png 350w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMajor.png 1369w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-1549\" class=\"wp-caption-text\">Figure 3.1 C major scale. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig3.1\">See Appendix C Figure 3.1<\/a>]<\/figcaption><\/figure>\n<p>The example above shows C major scale.\u00a0<span style=\"color: #ff00ff;\"><span style=\"color: #000000;\">For ear training purposes, how it appears on the staff is less important than how it sounds.\u00a0<\/span><\/span><\/p>\n<p><!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]--><br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-34-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Major-Scale-S1.wav?_=1\" \/><a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Major-Scale-S1.wav\">https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Major-Scale-S1.wav<\/a><\/audio><\/p>\n<p><span style=\"color: #000000;\">Take the audio example, and listen to it carefully. How does it sound? What observations can be made as it moves from note to note? While humming or singing random vowel sounds can be useful, using a number system will allow for some added benefit in upcoming modules.<\/span><\/p>\n<p><span style=\"color: #000000;\">The number system is used by assigning the number 1 to the first note of the major scale (in this case, C) and number 2 to the following note (D), number 3 after that, and so on.<\/span> Once familiar enough with the sound of the major to hum or sing it without numbers, adding numbers can be a useful next step.<\/p>\n<p><span style=\"color: #ff00ff;\"><span style=\"color: #000000;\">In <a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/key-signatures\/\">Chapter 8 of <\/a><em><a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/key-signatures\/\" target=\"_blank\" rel=\"noopener\">Introduction to Music Theory and Rudiments<\/a><\/em>, <span style=\"color: #ff00ff;\"><span style=\"color: #000000;\">the distance between each note is discussed. The distance between the third and fourth notes, and the seventh and eighth notes is smaller than the others. How does this sound? Does it impact your understanding of the scale in any way?<\/span><\/span><\/span><\/span><\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-34-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Major-Scale-S1.wav?_=2\" \/><a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Major-Scale-S1.wav\">https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Major-Scale-S1.wav<\/a><\/audio><\/p>\n<p>Listen to the audio example above, then use the Record button below to record yourself humming or singing the major scale. Do they sound the same? If not, where and how do they sound different? Once you\u2019ve discovered where they differ, try again and see if you can improve.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"h5p-10\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-10\" class=\"h5p-iframe\" data-content-id=\"10\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Audio Recorder\"><\/iframe><\/div>\n<\/div>\n","protected":false},"author":69,"menu_order":1,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-34","chapter","type-chapter","status-publish","hentry"],"part":32,"_links":{"self":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/34","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/users\/69"}],"version-history":[{"count":50,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/34\/revisions"}],"predecessor-version":[{"id":1937,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/34\/revisions\/1937"}],"part":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/parts\/32"}],"metadata":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/34\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/media?parent=34"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapter-type?post=34"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/contributor?post=34"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/license?post=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}