{"id":60,"date":"2025-06-16T14:01:34","date_gmt":"2025-06-16T18:01:34","guid":{"rendered":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/?post_type=chapter&#038;p=60"},"modified":"2025-10-22T14:24:13","modified_gmt":"2025-10-22T18:24:13","slug":"the-natural-minor-scale","status":"publish","type":"chapter","link":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/chapter\/the-natural-minor-scale\/","title":{"raw":"The Natural Minor Scale","rendered":"The Natural Minor Scale"},"content":{"raw":"While the major scale is a commonly used scale, it is not the only one. The <em>natural minor scale<\/em> is commonly found in classical, folk, and contemporary music as well. The natural minor scale can be viewed in one of two ways: either as a displaced major scale starting on the 6th, or as a major scale with the third, sixth, and seventh notes lowered by one semitone. More details can be found in <a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/minor-scales\/\" target=\"_blank\" rel=\"noopener\">Chapter 11 of <em>Introduction to Music Theory and Rudiments<\/em><\/a>.<a id=\"retfig4.1\"><\/a>\r\n\r\n[caption id=\"attachment_1546\" align=\"aligncenter\" width=\"1024\"]<img class=\"wp-image-1546 size-large\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMinor-1024x586.png\" alt=\"A natural minor scale on a piano keyboard. Image description available.\" width=\"1024\" height=\"586\" \/> Figure 4.1 Natural minor scale. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig4.1\">See Appendix C Figure 4.1<\/a>][\/caption]<span style=\"text-align: initial; font-size: 1em;\">Here is what it sounds like.<\/span>\r\n\r\nhttps:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Minor-Scale-S1.wav\r\n\r\n<span style=\"color: #000000;\">Focus on the third, sixth, and seventh notes, and notice how they compare to the sounds of the major scale. Some musicians hear this scale as starting on the sixth note of a major scale, so to sing it using numbers, you could sing 6,7,1,2,3,4,5, and then 6 to finish. When you sing or hum this, is that how the scales sounds\/feels to you? If not, try singing it as you would with the major scale, but be sure to lower the third, sixth, and seventh notes\u2014that\u2019s what creates the minor sound associated with this scale.\u00a0\u00a0<\/span>\r\n\r\nhttps:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Minor-Scale-S1.wav\r\n\r\nListen to the audio example above, then use the Record button below to record yourself humming or singing the natural minor scale. Do they sound the same? If not, where and how do they sound different? Once you\u2019ve discovered where they differ, try again and see if you can improve.\r\n\r\n&nbsp;\r\n\r\n[h5p id=\"10\"]","rendered":"<p>While the major scale is a commonly used scale, it is not the only one. The <em>natural minor scale<\/em> is commonly found in classical, folk, and contemporary music as well. The natural minor scale can be viewed in one of two ways: either as a displaced major scale starting on the 6th, or as a major scale with the third, sixth, and seventh notes lowered by one semitone. More details can be found in <a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/minor-scales\/\" target=\"_blank\" rel=\"noopener\">Chapter 11 of <em>Introduction to Music Theory and Rudiments<\/em><\/a>.<a id=\"retfig4.1\"><\/a><\/p>\n<figure id=\"attachment_1546\" aria-describedby=\"caption-attachment-1546\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1546 size-large\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMinor-1024x586.png\" alt=\"A natural minor scale on a piano keyboard. Image description available.\" width=\"1024\" height=\"586\" srcset=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMinor-1024x586.png 1024w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMinor-300x172.png 300w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMinor-768x440.png 768w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMinor-65x37.png 65w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMinor-225x129.png 225w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMinor-350x200.png 350w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/MusicStaffGraphics_CMinor.png 1369w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-1546\" class=\"wp-caption-text\">Figure 4.1 Natural minor scale. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig4.1\">See Appendix C Figure 4.1<\/a>]<\/figcaption><\/figure>\n<p><span style=\"text-align: initial; font-size: 1em;\">Here is what it sounds like.<\/span><\/p>\n<p><!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]--><br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-60-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Minor-Scale-S1.wav?_=1\" \/><a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Minor-Scale-S1.wav\">https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Minor-Scale-S1.wav<\/a><\/audio><\/p>\n<p><span style=\"color: #000000;\">Focus on the third, sixth, and seventh notes, and notice how they compare to the sounds of the major scale. Some musicians hear this scale as starting on the sixth note of a major scale, so to sing it using numbers, you could sing 6,7,1,2,3,4,5, and then 6 to finish. When you sing or hum this, is that how the scales sounds\/feels to you? If not, try singing it as you would with the major scale, but be sure to lower the third, sixth, and seventh notes\u2014that\u2019s what creates the minor sound associated with this scale.\u00a0\u00a0<\/span><\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-60-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Minor-Scale-S1.wav?_=2\" \/><a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Minor-Scale-S1.wav\">https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Minor-Scale-S1.wav<\/a><\/audio><\/p>\n<p>Listen to the audio example above, then use the Record button below to record yourself humming or singing the natural minor scale. Do they sound the same? If not, where and how do they sound different? Once you\u2019ve discovered where they differ, try again and see if you can improve.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"h5p-10\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-10\" class=\"h5p-iframe\" data-content-id=\"10\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Audio Recorder\"><\/iframe><\/div>\n<\/div>\n","protected":false},"author":69,"menu_order":2,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-60","chapter","type-chapter","status-publish","hentry"],"part":32,"_links":{"self":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/60","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/users\/69"}],"version-history":[{"count":34,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/60\/revisions"}],"predecessor-version":[{"id":1944,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/60\/revisions\/1944"}],"part":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/parts\/32"}],"metadata":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/60\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/media?parent=60"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapter-type?post=60"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/contributor?post=60"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/license?post=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}