{"id":83,"date":"2025-06-16T14:05:33","date_gmt":"2025-06-16T18:05:33","guid":{"rendered":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/?post_type=chapter&#038;p=83"},"modified":"2025-10-22T14:26:30","modified_gmt":"2025-10-22T18:26:30","slug":"the-major-and-minor-triad","status":"publish","type":"chapter","link":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/chapter\/the-major-and-minor-triad\/","title":{"raw":"The Major and Minor Triad","rendered":"The Major and Minor Triad"},"content":{"raw":"A triad is a three-note chord commonly found in many different styles of music.\u00a0<span style=\"color: #000000;\">The <em>major triad<\/em> consists of the first, third, and fifth notes of the major scale and can be played melodically (one note at a time) or harmonically (all three notes simultaneously). (More information on triads can be found in <a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/intro-to-triads\/\" target=\"_blank\" rel=\"noopener\">Chapter 21 of an <\/a><em><a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/intro-to-triads\/\" target=\"_blank\" rel=\"noopener\">Introduction for Music Theory and Rudiments<\/a><\/em>.)<a id=\"retfig10.1\"><\/a><\/span>\r\n\r\n[caption id=\"attachment_149\" align=\"alignnone\" width=\"627\"]<img class=\"wp-image-149\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-traid-broken-300x56.jpeg\" alt=\"C major triad displayed melodically. Image description available.\" width=\"627\" height=\"117\" \/> Figure 10.1 C major triad displayed melodically. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig10.1\">See Appendix C Figure 10.1<\/a>][\/caption][caption id=\"attachment_148\" align=\"alignnone\" width=\"485\"]<img class=\"wp-image-148\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-triad-solid-300x141.jpeg\" alt=\"C major triad displayed harmonically. Image description available.\" width=\"485\" height=\"228\" \/> Figure 10.2 C major triad displayed harmonically. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig10.2\">See Appendix C Figure 10.2<\/a>][\/caption]<a id=\"retfig10.2\"><\/a>The audio examples in this course will always play triads both melodically and harmonically.\r\n\r\n&nbsp;\r\n\r\nhttps:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Major-Triad-S1.wav\r\n\r\n<span style=\"color: #000000;\">While we cannot sing three notes all at once, it is possible to sing\/hum a triad melodically. When singing or humming a major triad, it is possible to focus on the intervals between the first (1st) and second (3rd), and second (3rd) and third note (5th), or to focus on the triad holistically\u2014either method works; it is just personal preference.\u00a0\u00a0<\/span>\r\n\r\n&nbsp;\r\n\r\nhttps:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Major-Triad-S1.wav\r\n\r\n<span style=\"color: #000000;\">Try humming\/singing the major triad melodically, using numbers if possible (1, 3, 5). Use the Record button below to compare and evaluate.<\/span>\r\n\r\n&nbsp;\r\n\r\n[h5p id=\"10\"]\r\n\r\nA <em>minor triad<\/em> sounds very similar to a major triad, which makes sense as there is only one note different. Changing a major triad to a minor triad only requires lowering the 3rd of the chord (middle note) down by one semitone.<a id=\"retfig10.3\"><\/a>\r\n\r\n[caption id=\"attachment_183\" align=\"alignnone\" width=\"687\"]<img class=\"wp-image-183\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-broken-300x62.jpeg\" alt=\"C minor triad displayed melodically. Image description available.\" width=\"687\" height=\"142\" \/> Figure 10.3 C minor triad displayed melodically. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig10.3\">See Appendix C Figure 10.3<\/a>][\/caption][caption id=\"attachment_184\" align=\"alignnone\" width=\"481\"]<img class=\"wp-image-184\" style=\"color: #373d3f; font-weight: bold; font-size: 1em;\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-solid-300x133.jpeg\" alt=\"C minor triad displayed harmonically. Image description available.\" width=\"481\" height=\"213\" \/> Figure 10.4 C minor triad displayed harmonically. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig10.4\">See Appendix C Figure 10.4<\/a>][\/caption][audio wav=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Minor-Triad-S1.wav\"][\/audio]\r\n\r\n<span style=\"color: #000000;\"><a id=\"retfig10.4\"><\/a>Try humming\/singing the minor triad melodically, using numbers if possible (1,3,5). Use the Record button below to compare and evaluate.<\/span>\r\n\r\n&nbsp;\r\n\r\n[h5p id=\"10\"]\r\n\r\nListen to the differences between the major and the minor triad. What do you observe? Aurally, the major triad is often associated with a sense of happiness, whereas the minor triad can invoke a sense of sadness. Is this how they sound to you? Both are used extensively in modern music, which can sometimes alter our perceptions of the sounds. Major triads can be used in sad songs, and minor triads can also be used in happy songs. Focusing on humming\/singing them in isolation can help inform how we hear them in the context of a song or piece of music.","rendered":"<p>A triad is a three-note chord commonly found in many different styles of music.\u00a0<span style=\"color: #000000;\">The <em>major triad<\/em> consists of the first, third, and fifth notes of the major scale and can be played melodically (one note at a time) or harmonically (all three notes simultaneously). (More information on triads can be found in <a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/intro-to-triads\/\" target=\"_blank\" rel=\"noopener\">Chapter 21 of an <\/a><em><a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/intro-to-triads\/\" target=\"_blank\" rel=\"noopener\">Introduction for Music Theory and Rudiments<\/a><\/em>.)<a id=\"retfig10.1\"><\/a><\/span><\/p>\n<figure id=\"attachment_149\" aria-describedby=\"caption-attachment-149\" style=\"width: 627px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-149\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-traid-broken-300x56.jpeg\" alt=\"C major triad displayed melodically. Image description available.\" width=\"627\" height=\"117\" srcset=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-traid-broken-300x56.jpeg 300w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-traid-broken-1024x192.jpeg 1024w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-traid-broken-768x144.jpeg 768w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-traid-broken-1536x287.jpeg 1536w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-traid-broken-2048x383.jpeg 2048w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-traid-broken-65x12.jpeg 65w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-traid-broken-225x42.jpeg 225w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-traid-broken-350x66.jpeg 350w\" sizes=\"auto, (max-width: 627px) 100vw, 627px\" \/><figcaption id=\"caption-attachment-149\" class=\"wp-caption-text\">Figure 10.1 C major triad displayed melodically. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig10.1\">See Appendix C Figure 10.1<\/a>]<\/figcaption><\/figure>\n<figure id=\"attachment_148\" aria-describedby=\"caption-attachment-148\" style=\"width: 485px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-148\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-triad-solid-300x141.jpeg\" alt=\"C major triad displayed harmonically. Image description available.\" width=\"485\" height=\"228\" srcset=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-triad-solid-300x141.jpeg 300w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-triad-solid-768x362.jpeg 768w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-triad-solid-65x31.jpeg 65w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-triad-solid-225x106.jpeg 225w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-triad-solid-350x165.jpeg 350w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-triad-solid.jpeg 1016w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><figcaption id=\"caption-attachment-148\" class=\"wp-caption-text\">Figure 10.2 C major triad displayed harmonically. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig10.2\">See Appendix C Figure 10.2<\/a>]<\/figcaption><\/figure>\n<p><a id=\"retfig10.2\"><\/a>The audio examples in this course will always play triads both melodically and harmonically.<\/p>\n<p>&nbsp;<\/p>\n<p><!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]--><br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-83-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Major-Triad-S1.wav?_=1\" \/><a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Major-Triad-S1.wav\">https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/C-Major-Triad-S1.wav<\/a><\/audio><\/p>\n<p><span style=\"color: #000000;\">While we cannot sing three notes all at once, it is possible to sing\/hum a triad melodically. When singing or humming a major triad, it is possible to focus on the intervals between the first (1st) and second (3rd), and second (3rd) and third note (5th), or to focus on the triad holistically\u2014either method works; it is just personal preference.\u00a0\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-83-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Major-Triad-S1.wav?_=2\" \/><a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Major-Triad-S1.wav\">https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Major-Triad-S1.wav<\/a><\/audio><\/p>\n<p><span style=\"color: #000000;\">Try humming\/singing the major triad melodically, using numbers if possible (1, 3, 5). Use the Record button below to compare and evaluate.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"h5p-10\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-10\" class=\"h5p-iframe\" data-content-id=\"10\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Audio Recorder\"><\/iframe><\/div>\n<\/div>\n<p>A <em>minor triad<\/em> sounds very similar to a major triad, which makes sense as there is only one note different. Changing a major triad to a minor triad only requires lowering the 3rd of the chord (middle note) down by one semitone.<a id=\"retfig10.3\"><\/a><\/p>\n<figure id=\"attachment_183\" aria-describedby=\"caption-attachment-183\" style=\"width: 687px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-183\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-broken-300x62.jpeg\" alt=\"C minor triad displayed melodically. Image description available.\" width=\"687\" height=\"142\" srcset=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-broken-300x62.jpeg 300w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-broken-1024x210.jpeg 1024w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-broken-768x158.jpeg 768w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-broken-1536x316.jpeg 1536w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-broken-2048x421.jpeg 2048w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-broken-65x13.jpeg 65w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-broken-225x46.jpeg 225w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-broken-350x72.jpeg 350w\" sizes=\"auto, (max-width: 687px) 100vw, 687px\" \/><figcaption id=\"caption-attachment-183\" class=\"wp-caption-text\">Figure 10.3 C minor triad displayed melodically. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig10.3\">See Appendix C Figure 10.3<\/a>]<\/figcaption><\/figure>\n<figure id=\"attachment_184\" aria-describedby=\"caption-attachment-184\" style=\"width: 481px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-184\" style=\"color: #373d3f; font-weight: bold; font-size: 1em;\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-solid-300x133.jpeg\" alt=\"C minor triad displayed harmonically. Image description available.\" width=\"481\" height=\"213\" srcset=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-solid-300x133.jpeg 300w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-solid-768x340.jpeg 768w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-solid-65x29.jpeg 65w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-solid-225x100.jpeg 225w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-solid-350x155.jpeg 350w, https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/06\/C-minor-triad-solid.jpeg 891w\" sizes=\"auto, (max-width: 481px) 100vw, 481px\" \/><figcaption id=\"caption-attachment-184\" class=\"wp-caption-text\">Figure 10.4 C minor triad displayed harmonically. [Image description \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/back-matter\/appendix-c-figure-descriptions\/#fig10.4\">See Appendix C Figure 10.4<\/a>]<\/figcaption><\/figure>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-83-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Minor-Triad-S1.wav?_=3\" \/><a href=\"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Minor-Triad-S1.wav\">https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-content\/uploads\/sites\/47\/2025\/08\/Bb-Minor-Triad-S1.wav<\/a><\/audio><\/p>\n<p><span style=\"color: #000000;\"><a id=\"retfig10.4\"><\/a>Try humming\/singing the minor triad melodically, using numbers if possible (1,3,5). Use the Record button below to compare and evaluate.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"h5p-10\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-10\" class=\"h5p-iframe\" data-content-id=\"10\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Audio Recorder\"><\/iframe><\/div>\n<\/div>\n<p>Listen to the differences between the major and the minor triad. What do you observe? Aurally, the major triad is often associated with a sense of happiness, whereas the minor triad can invoke a sense of sadness. Is this how they sound to you? Both are used extensively in modern music, which can sometimes alter our perceptions of the sounds. Major triads can be used in sad songs, and minor triads can also be used in happy songs. Focusing on humming\/singing them in isolation can help inform how we hear them in the context of a song or piece of music.<\/p>\n","protected":false},"author":69,"menu_order":1,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-83","chapter","type-chapter","status-publish","hentry"],"part":56,"_links":{"self":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/83","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/users\/69"}],"version-history":[{"count":32,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/83\/revisions"}],"predecessor-version":[{"id":1948,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/83\/revisions\/1948"}],"part":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/parts\/56"}],"metadata":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapters\/83\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/media?parent=83"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/pressbooks\/v2\/chapter-type?post=83"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/contributor?post=83"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtoeartraining\/wp-json\/wp\/v2\/license?post=83"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}