{"id":216,"date":"2024-05-08T13:27:24","date_gmt":"2024-05-08T17:27:24","guid":{"rendered":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/?post_type=chapter&#038;p=216"},"modified":"2024-07-22T14:55:36","modified_gmt":"2024-07-22T18:55:36","slug":"notes-and-clefs","status":"publish","type":"chapter","link":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/notes-and-clefs\/","title":{"raw":"Notes and Clefs","rendered":"Notes and Clefs"},"content":{"raw":"When naming and identifying notes on a staff, it is important to recognize that the clef is what determines where notes are placed on the staff. Notes are named based on their placement on the staff using the musical alphabet: A, B, C, D, E, F, and G.\r\n\r\n<strong>Click through the following slides to learn more. If you see a blue information icon, click to read for more information. You can also click the icon at the bottom right to view it in full-screen mode.\r\n<\/strong>\r\n\r\n[h5p id=\"12\"]\r\n<div class=\"textbox textbox--exercises\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Exercise<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">[h5p id=\"3\"]<\/div>\r\n<\/div>\r\nNotes written on the staff always consist of a note head and often have a stem and sometimes even a flag or beam.\r\n\r\n[caption id=\"attachment_261\" align=\"aligncenter\" width=\"300\"]<img class=\"wp-image-261 size-medium\" src=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/Make-up-of-note-300x256.jpg\" alt=\"Two sample notes showing the notehead, stem, flag, stem and beam.\" width=\"300\" height=\"256\" \/> Figure 2.1 The anatomy of a note.[\/caption]\r\n\r\nFlags are added to notes to indicate how long or short a note is to be played (see Chapter III). Stems can point both up or down. Notes that are below the centre line have their stem on the right-hand side of the note head and point up, whereas notes above the centre line have their stem on the left-hand side and point down.\r\n\r\n[caption id=\"attachment_1075\" align=\"aligncenter\" width=\"405\"]<img class=\"wp-image-1075\" src=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/05\/stem-direction-300x175.jpeg\" alt=\"\" width=\"405\" height=\"236\" \/> Figure 2.2 A note below and a note above the centre line.[\/caption]\r\n\r\n<div class=\"textbox textbox--exercises\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Exercises<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n\r\n[h5p id=\"42\"]\r\n\r\n[h5p id=\"43\"]\r\n\r\n<\/div>\r\n<\/div>","rendered":"<p>When naming and identifying notes on a staff, it is important to recognize that the clef is what determines where notes are placed on the staff. Notes are named based on their placement on the staff using the musical alphabet: A, B, C, D, E, F, and G.<\/p>\n<p><strong>Click through the following slides to learn more. If you see a blue information icon, click to read for more information. You can also click the icon at the bottom right to view it in full-screen mode.<br \/>\n<\/strong><\/p>\n<div id=\"h5p-12\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-12\" class=\"h5p-iframe\" data-content-id=\"12\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 1 Notes and Clefs\"><\/iframe><\/div>\n<\/div>\n<div class=\"textbox textbox--exercises\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Exercise<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<div id=\"h5p-3\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-3\" class=\"h5p-iframe\" data-content-id=\"3\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 1 Exercise Identify Notes\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>Notes written on the staff always consist of a note head and often have a stem and sometimes even a flag or beam.<\/p>\n<figure id=\"attachment_261\" aria-describedby=\"caption-attachment-261\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-261 size-medium\" src=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/Make-up-of-note-300x256.jpg\" alt=\"Two sample notes showing the notehead, stem, flag, stem and beam.\" width=\"300\" height=\"256\" srcset=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/Make-up-of-note-300x256.jpg 300w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/Make-up-of-note-768x655.jpg 768w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/Make-up-of-note-65x55.jpg 65w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/Make-up-of-note-225x192.jpg 225w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/Make-up-of-note-350x299.jpg 350w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/Make-up-of-note.jpg 962w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-261\" class=\"wp-caption-text\">Figure 2.1 The anatomy of a note.<\/figcaption><\/figure>\n<p>Flags are added to notes to indicate how long or short a note is to be played (see Chapter III). Stems can point both up or down. Notes that are below the centre line have their stem on the right-hand side of the note head and point up, whereas notes above the centre line have their stem on the left-hand side and point down.<\/p>\n<figure id=\"attachment_1075\" aria-describedby=\"caption-attachment-1075\" style=\"width: 405px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1075\" src=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/05\/stem-direction-300x175.jpeg\" alt=\"\" width=\"405\" height=\"236\" srcset=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/05\/stem-direction-300x175.jpeg 300w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/05\/stem-direction-65x38.jpeg 65w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/05\/stem-direction-225x131.jpeg 225w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/05\/stem-direction-350x204.jpeg 350w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/05\/stem-direction.jpeg 642w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><figcaption id=\"caption-attachment-1075\" class=\"wp-caption-text\">Figure 2.2 A note below and a note above the centre line.<\/figcaption><\/figure>\n<div class=\"textbox textbox--exercises\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Exercises<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<div id=\"h5p-42\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-42\" class=\"h5p-iframe\" data-content-id=\"42\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 1 Creating Treble Notes\"><\/iframe><\/div>\n<\/div>\n<div id=\"h5p-43\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-43\" class=\"h5p-iframe\" data-content-id=\"43\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 1 Identifying notes in the Bass Clef\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"author":41,"menu_order":2,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-216","chapter","type-chapter","status-publish","hentry"],"part":3,"_links":{"self":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/users\/41"}],"version-history":[{"count":44,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/216\/revisions"}],"predecessor-version":[{"id":1275,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/216\/revisions\/1275"}],"part":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/parts\/3"}],"metadata":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/216\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/media?parent=216"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapter-type?post=216"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/contributor?post=216"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/license?post=216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}