{"id":62,"date":"2024-04-04T13:56:36","date_gmt":"2024-04-04T17:56:36","guid":{"rendered":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/?post_type=chapter&#038;p=62"},"modified":"2024-07-23T15:49:42","modified_gmt":"2024-07-23T19:49:42","slug":"dynamic-markings-articulations","status":"publish","type":"chapter","link":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/dynamic-markings-articulations\/","title":{"raw":"Dynamic Markings, Articulations, and Slurs","rendered":"Dynamic Markings, Articulations, and Slurs"},"content":{"raw":"In addition to notes and accidentals, the staff can contain much more information about how the music written on the staff should be performed.\r\n\r\n<strong>Dynamic markings<\/strong>\r\n<div class=\"textbox textbox--examples\"><header class=\"textbox__header\">Go through the following slides to learn more. Click the arrows to turn pages, or click the three blue lines at the left top corner to show or hide the table of contents, or you can click the icon <img class=\"alignnone wp-image-318\" src=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/Fullscreen_Mode-1.jpg\" alt=\"\" width=\"26\" height=\"27\" \/> at the right-top corner to view it in full-screen mode. If there is a sample clip, you can click the play icon to play it.<\/header>\r\n<div class=\"textbox__content\">[h5p id=\"8\"]<\/div>\r\n<\/div>\r\n[h5p id=\"15\"]\r\n\r\n<strong>Articulations<\/strong>\r\n\r\nArticulations are symbols that indicate how a note should be played.\r\n\r\nArticulations are placed on top or below the note head. Smaller symbols, such as a <em>[pb_glossary id=\"129\"]staccato[\/pb_glossary]<\/em>, can be placed in the staff, whereas larger symbols, such as a <em>marcato<\/em>, should be placed outside the staff.\r\n\r\n[h5p id=\"10\"]\r\n\r\n[h5p id=\"14\"]\r\n\r\n<strong>Slurs<\/strong>\r\n\r\nSlurs are curved lines appearing above or below two or more notes indicating that they are to be played\u00a0<em>[pb_glossary id=\"1078\"]legato[\/pb_glossary].<\/em>\r\n\r\n[caption id=\"attachment_152\" align=\"aligncenter\" width=\"1024\"]<img class=\"wp-image-152 size-large\" src=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/slurs-1024x164.jpg\" alt=\"A staff with a treble clef and 3\/4 time signature. Notes are on the staff, with curved lines grouping 3-5 notes together. \" width=\"1024\" height=\"164\" \/> Figure 5.1 A slur.[\/caption]","rendered":"<p>In addition to notes and accidentals, the staff can contain much more information about how the music written on the staff should be performed.<\/p>\n<p><strong>Dynamic markings<\/strong><\/p>\n<div class=\"textbox textbox--examples\">\n<header class=\"textbox__header\">Go through the following slides to learn more. Click the arrows to turn pages, or click the three blue lines at the left top corner to show or hide the table of contents, or you can click the icon <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-318\" src=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/Fullscreen_Mode-1.jpg\" alt=\"\" width=\"26\" height=\"27\" \/> at the right-top corner to view it in full-screen mode. If there is a sample clip, you can click the play icon to play it.<\/header>\n<div class=\"textbox__content\">\n<div id=\"h5p-8\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-8\" class=\"h5p-iframe\" data-content-id=\"8\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 1: Explaining Dynamic Markings\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"h5p-15\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-15\" class=\"h5p-iframe\" data-content-id=\"15\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 1 Dymanic markings text version\"><\/iframe><\/div>\n<\/div>\n<p><strong>Articulations<\/strong><\/p>\n<p>Articulations are symbols that indicate how a note should be played.<\/p>\n<p>Articulations are placed on top or below the note head. Smaller symbols, such as a <em><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_62_129\">staccato<\/a><\/em>, can be placed in the staff, whereas larger symbols, such as a <em>marcato<\/em>, should be placed outside the staff.<\/p>\n<div id=\"h5p-10\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-10\" class=\"h5p-iframe\" data-content-id=\"10\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 1 Articulations\"><\/iframe><\/div>\n<\/div>\n<div id=\"h5p-14\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-14\" class=\"h5p-iframe\" data-content-id=\"14\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 1 Articulations_text version\"><\/iframe><\/div>\n<\/div>\n<p><strong>Slurs<\/strong><\/p>\n<p>Slurs are curved lines appearing above or below two or more notes indicating that they are to be played\u00a0<em><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_62_1078\">legato<\/a>.<\/em><\/p>\n<figure id=\"attachment_152\" aria-describedby=\"caption-attachment-152\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-152 size-large\" src=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/slurs-1024x164.jpg\" alt=\"A staff with a treble clef and 3\/4 time signature. Notes are on the staff, with curved lines grouping 3-5 notes together.\" width=\"1024\" height=\"164\" srcset=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/slurs-1024x164.jpg 1024w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/slurs-300x48.jpg 300w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/slurs-768x123.jpg 768w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/slurs-1536x246.jpg 1536w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/slurs-2048x328.jpg 2048w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/slurs-65x10.jpg 65w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/slurs-225x36.jpg 225w, https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-content\/uploads\/sites\/35\/2024\/04\/slurs-350x56.jpg 350w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-152\" class=\"wp-caption-text\">Figure 5.1 A slur.<\/figcaption><\/figure>\n<div class=\"glossary\"><span class=\"screen-reader-text\" id=\"definition\">definition<\/span><template id=\"term_62_129\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_62_129\"><div tabindex=\"-1\"><p>Detached.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_62_1078\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_62_1078\"><div tabindex=\"-1\"><p>In a smooth, flowing, matter.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><\/div>","protected":false},"author":69,"menu_order":5,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-62","chapter","type-chapter","status-publish","hentry"],"part":3,"_links":{"self":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/62","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/users\/69"}],"version-history":[{"count":41,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/62\/revisions"}],"predecessor-version":[{"id":1348,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/62\/revisions\/1348"}],"part":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/parts\/3"}],"metadata":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/62\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/media?parent=62"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapter-type?post=62"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/contributor?post=62"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/license?post=62"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}