{"id":883,"date":"2024-06-10T13:10:58","date_gmt":"2024-06-10T17:10:58","guid":{"rendered":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/?post_type=chapter&#038;p=883"},"modified":"2024-07-30T17:15:13","modified_gmt":"2024-07-30T21:15:13","slug":"time-signature-part1","status":"publish","type":"chapter","link":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/chapter\/time-signature-part1\/","title":{"raw":"Time Signature Part 1","rendered":"Time Signature Part 1"},"content":{"raw":"Notes of different durations are combined together to form a rhythm. Rhythms are grouped together in music based on the time signature. Time signatures are two numbers placed on top of each other at the beginning of the staff that tell us how many beats there will be per bar, and what type of note gets on beat. Bars, also known as measures, are indicated with a vertical line on the staff. Each bar must contain the same total duration of notes and rests as indicated by the time signature\u2019s top number.\r\n<div class=\"textbox textbox--examples\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Examples<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n\r\nClick the blue Information icons to read more explanation. Click the full mode icon at the bottom-right corner to view in full screen mode.\r\n\r\n[h5p id=\"48\"]\r\n\r\n[h5p id=\"50\"]\r\n\r\n<\/div>\r\n<\/div>\r\n<div class=\"textbox textbox--exercises\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Exercise<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n\r\nComplete this exercise.\r\n\r\n[h5p id=\"51\"]\r\n\r\n<\/div>\r\n<\/div>\r\n<h2 style=\"text-align: center\"><a id=\"RhythmsVid\"><\/a>Rhythms and Baselines<\/h2>\r\nhttps:\/\/streaming.macewan.ca\/media\/Rhythms+and+Baselines\/1_vuzrk0sd\r\n<p style=\"text-align: center\">Video 15.1 Rhythms and Baselines [Video transcript \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/back-matter\/appendix-b-video-transcripts#RhythmsTrns\">See Appendix B 15.1<\/a>]<\/p>","rendered":"<p>Notes of different durations are combined together to form a rhythm. Rhythms are grouped together in music based on the time signature. Time signatures are two numbers placed on top of each other at the beginning of the staff that tell us how many beats there will be per bar, and what type of note gets on beat. Bars, also known as measures, are indicated with a vertical line on the staff. Each bar must contain the same total duration of notes and rests as indicated by the time signature\u2019s top number.<\/p>\n<div class=\"textbox textbox--examples\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Examples<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<p>Click the blue Information icons to read more explanation. Click the full mode icon at the bottom-right corner to view in full screen mode.<\/p>\n<div id=\"h5p-48\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-48\" class=\"h5p-iframe\" data-content-id=\"48\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 3 Time Signature Examples\"><\/iframe><\/div>\n<\/div>\n<div id=\"h5p-50\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-50\" class=\"h5p-iframe\" data-content-id=\"50\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 3 Time Signature Example 2\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"textbox textbox--exercises\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Exercise<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<p>Complete this exercise.<\/p>\n<div id=\"h5p-51\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-51\" class=\"h5p-iframe\" data-content-id=\"51\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Chapter 3 Exercise Time Signature\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/div>\n<h2 style=\"text-align: center\"><a id=\"RhythmsVid\"><\/a>Rhythms and Baselines<\/h2>\n<p><iframe loading=\"lazy\" id=\"kaltura_player\" title=\"Rhythms and Baselines\" src=\"https:\/\/cdnapisec.kaltura.com\/p\/2141712\/sp\/214171200\/embedIframeJs\/uiconf_id\/35075851\/partner_id\/2141712?iframeembed=true&#38;playerId=kaltura_player&#38;entry_id=1_vuzrk0sd&#38;flashvars[streamerType]=auto&#38;flashvars[localizationCode]=en&#38;flashvars[sideBarContainer.plugin]=true&#38;flashvars[sideBarContainer.position]=left&#38;flashvars[sideBarContainer.clickToClose]=true&#38;flashvars[chapters.plugin]=true&#38;flashvars[chapters.layout]=vertical&#38;flashvars[chapters.thumbnailRotator]=false&#38;flashvars[streamSelector.plugin]=true&#38;flashvars[EmbedPlayer.SpinnerTarget]=videoHolder&#38;flashvars[dualScreen.plugin]=true&#38;flashvars[hotspots.plugin]=1&#38;flashvars[Kaltura.addCrossoriginToIframe]=true&#38;wid=1_24c187tu\" width=\"608\" height=\"402\" allowfullscreen=\"allowfullscreen\" sandbox=\"allow-downloads allow-forms allow-same-origin allow-scripts allow-top-navigation allow-pointer-lock allow-popups allow-modals allow-orientation-lock allow-popups-to-escape-sandbox allow-presentation allow-top-navigation-by-user-activation\" frameborder=\"0\"><\/iframe><\/p>\n<p style=\"text-align: center\">Video 15.1 Rhythms and Baselines [Video transcript \u2013 <a href=\"https:\/\/openbooks.macewan.ca\/introtomusictheory\/back-matter\/appendix-b-video-transcripts#RhythmsTrns\">See Appendix B 15.1<\/a>]<\/p>\n","protected":false},"author":41,"menu_order":2,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-883","chapter","type-chapter","status-publish","hentry"],"part":31,"_links":{"self":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/users\/41"}],"version-history":[{"count":14,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/883\/revisions"}],"predecessor-version":[{"id":1502,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/883\/revisions\/1502"}],"part":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/parts\/31"}],"metadata":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapters\/883\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/media?parent=883"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/pressbooks\/v2\/chapter-type?post=883"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/contributor?post=883"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/openbooks.macewan.ca\/introtomusictheory\/wp-json\/wp\/v2\/license?post=883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}