11 Minor Scales

The major scale is the most common and useful scale when studying music theory, but it is important to also familiarize ourselves with other scales—starting with the two most common minor scales: the natural minor scale and the harmonic minor scale.

The natural minor is a useful starting point when studying minor scales. We can create a natural minor scale by lowering the third, sixth, and seventh degrees of a major scale by one semitone. The harmonic minor scale can be created by lowering the third and the sixth degrees of a major scale by one semitone.

Click on each of the following slides to find out more. Click on the information icon “i” to read the additional note.

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Click the Play icon to listen to the sample clip.

Exercises

Add the necessary accidentals to create the following scales:

The natural minor scale can also be considered as a “displaced” major scale. If we look at C major scale, we can see it has no accidentals.

Image of staff with treble clef. 8 notes, starting at C below staff ascending to C on third space.
Figure 11.1

If we take the exact same notes but start on A instead of C, we get A natural minor.

 

Image of staff with treble clef. 8 notes, starting at A below staff ascending to A on second space.
Figure 11.2

This is because C major and A natural minor are related scales, meaning they have the same notes; they just start at different points. To discover any major scale’s relative minor, simply count up to the sixth note of the major scale. To discover any natural minor’s relative major, count down six notes.

Scales

Video 11.1 Scales [Video transcript – See Appendix B 11.1]

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Introduction to Music Theory and Rudiments Copyright © 2024 by Devin Hart is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, except where otherwise noted.

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